For this new issue on Most Excellent Unlimited, Danny Krivit, whose own career as a dancefloor orchestrator from the DJ booth has paralleled the timeframe of the song's existence, has replaced the original loose introduction with a mix-friendly steady groove that maintains the unstoppable pulse of the song while maintaining the cathartic mid-song break and giving the track potential for even more momentum.Īnother percussionist is responsible for our flip side track, "Magic's in the Air." Vince Montana was not only an in-house arranger and producer for Philadelphia International and other Philly soul labels, but was an accomplished vibraphone player. Appearing at the crest of the disco movement, "Could Heaven Ever Be Like This" was an immediate hit with David Mancuso and the attendees of his loft parties, quickly spreading to other venues and even making a small climb up the Billboard R&B charts. Arranger Dave Matthews (famously part of the James Brown stable) collaborated with lyricist and former Long Island record store clerk Tony Sarafino on writing the song, which on the original recording unfolds over a nearly 9-minute build.
Hailing from New Orleans, Muhammad always had more than a touch of funk to his rhythms, and by the late '70s his collaborations with master engineer Rudy Van Gelder on recordings for the CTI and Kudu labels had gelled perfectly with the reigning jazz-funk sound of the day. Review: It was certainly unpredictable that a legendary jazz drummer would record one of spiritual disco's most revered songs twenty-three years into his career, but that's exactly what happened when Idris Muhammad laid down the epic "Could Heaven Ever Be Like This" in 1977. Having released a sneaky edit a few years ago, it seemed fitting to bring the duo of beat diggers, tape manipulators and world travelling DJs, into the "official" fold by commissioning a new rework that extends, loops and arranges this classic around a nice heavy dose of dub effects for daze.
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Their unrelenting groove and horns, plus Betty Wright & co's backing vocals counteracting with William's studio skills, is further exemplified in a wonderful dub laden Discomix by Psychemagik.
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Review: The super rarity disco funk Something Got A Hold On Me by Chuck Armstrong gets its first ever official reissue, as Emotional Rescue continues its series of looking at some of the artists working with King Sporty's Konduko label.Ī long time South Florida native, Armstrong released numerous gospel toned soul 7"s for labels across the US, starting in 1962 with Cleveland's Gemini Records before going on to release with Detroit's Black Rock and Nashville's Sound Stage 7.įirst working with Noel Williams on the 1973 single, Black Foxy Woman, before releasing his now sought-after album Shakin' Up in 1976, he returned to Konduko 3 years later to explore the shift to disco and boogie with William's masterly production.Ĭoming in at 10 minutes of deep, bottom rattling disco funk, William's teamed Armstrong's vocals of hypnotising love with his in-house Root Rockers band to devastating result.
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